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・ Jean Evrard Kouassi
・ Jean Ewen
・ Jean Eyeghé Ndong
・ Jean F. Cochois
・ Jean F. Dubé
・ Jean F. MacCormack
・ Jean Fabre
・ Jean Fabre (rugby union)
・ Jean Fabre de La Martillière
・ Jean Fagan Yellin
・ Jean Fanor
・ Jean Farley
・ Jean Farmer-Butterfield
・ Jean Faure
・ Jean Faut
Jean Fautrier
・ Jean Favard
・ Jean Favier
・ Jean Fayard
・ Jean Felipe
・ Jean Fenn
・ Jean Ferdinand Rozier
・ Jean Fergusson
・ Jean Fernandez
・ Jean Fernel
・ Jean Ferrand
・ Jean Ferrand Trophy
・ Jean Ferrari
・ Jean Ferrat
・ Jean Ferris


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Jean Fautrier : ウィキペディア英語版
Jean Fautrier

Jean Fautrier (May 16, 1898 – July 21, 1964) was a French painter, illustrator, printmaker, and sculptor. He was one of the most important practitioners of Tachisme.
==Early life==

Jean Fautrier was born in Paris in 1898. He was given his unwed mother's surname and raised by his grandmother until she and his father both died in 1908. He then moved to London to be with his mother.〔Grove Art Online.〕 There, in 1912, he began to study at the Royal Academy of Arts. Unsatisfied by instruction he thought too rigid, he left to study briefly at the Slade School, which was reputed to be more avant-garde. He was disappointed again and decided to go it alone, devoting himself to painting.〔 The works he saw in the Tate Gallery made a far greater impression on him; he especially admired the paintings of J. M. W. Turner.〔 He was called up for the French Army in 1917, but was discharged in 1921 due to his poor health.
He first exhibited his paintings at the Salon d'Automne in 1922 and at the Fabre Gallery in 1923. It was at the Galerie Fabre that he met art dealer Jeanne Castel, his first collector and friend. In 1923 he began producing etchings and engravings. His first solo exhibition was at the Galerie Visconti in Paris, in 1924.〔
In 1927, he painted a series of pictures (still lifes, nudes, landscapes) in which black dominates. In 1928 he met André Malraux through Castel. Malraux asked Fautrier to illustrate a text of his choice, but copyright issues kept him from using his first choice, Arthur Rimbaud’s ‘’Les Illuminations’’, and he settled instead with Dante’s ''Inferno''. He produced 34 lithographs, but the publication, proposed by Gallimard, was deemed impossible and the project was abandoned in 1930. Until 1933 he divided his efforts between sculpture and painting. Short on funds, he spent the years 1934–1936 living in the resort of Tignes, where he made his living as a ski instructor and started a jazz club.〔

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